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Gustav Klimt The Three Ages of Woman (mk20) oil painting


The Three Ages of Woman (mk20)
Painting ID::  22486
Gustav Klimt
The Three Ages of Woman (mk20)
1905 Die drei Lebensalter der Frau Oil on canvas,178 x 198 cm Galleria Nazionale d'Arte Moderna,Rome

   
   
     

Gustav Klimt The Kiss (mk20) oil painting


The Kiss (mk20)
Painting ID::  22482
Gustav Klimt
The Kiss (mk20)
1907/08 Der Kuss Oil on canvas,180 x 180 cm Austrian Gallery,Vienna

   
   
     

Gustav Klimt Portrait of a Lady (mk20) oil painting


Portrait of a Lady (mk20)
Painting ID::  22483
Gustav Klimt
Portrait of a Lady (mk20)
1917/18 Damenbildnis Oil on canvas,180 x 90 cm Wolfgang - Gurlitt-Museum,New Gallery of the City of Linz

   
   
     

Gustav Klimt Portrait of Eugenia Primavesi (mk20) oil painting


Portrait of Eugenia Primavesi (mk20)
Painting ID::  22484
Gustav Klimt
Portrait of Eugenia Primavesi (mk20)
around 1913/14 Bildnis Eugenia Primavesi Oil on canvas,140 x 84 Private collection.USA

   
   
     

Gustav Klimt Portrait of Hermine Gallia (mk20) oil painting


Portrait of Hermine Gallia (mk20)
Painting ID::  22485
Gustav Klimt
Portrait of Hermine Gallia (mk20)
1903/04 Bildnis Hermine Gallia Oil on canvas,170 x 96 cm National Gallery,London

   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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